Kandyan dancers of Visha School of Dance, Dehiwela presented their maiden public performance on Sunday, 18th October at the BMICH. Chief guest was the Foreign Minister, Rohitha Bogollagama at this special occasion.
According to the legend, the origins of the Kandyan dance of Sri Lanka lie in an exorcism ritual known as the Kohomba Kankariya, which was originally performed by Indian shamans who came to the island. According to the legend, the Indian shamans came to the island upon the request of a king who was suffering from a mysterious illness. The king was said to be suffering from recurring dream in which a leopard directed its longue towards the king. This was believed as black magic of "Kuweni" the first wife of the king "Vijaya". After the performance of the Kohomba Kankariya the illness vanished, and many natives adopted the dance. It was originally performed by dancers who were identified as a separate caste under the Kandyan Feudal system. They were aligned to the Temple of the Tooth and had a significant role to play in the Dalada Perahera (procession) held each year by the temple. The dance waned in popularity as the support for the dancers from the Kandyan kings ended during the British period. It has now been revived and adapted for the stage, and is Sri Lanka's primary cultural export.
According to the legend, the origins of the Kandyan dance of Sri Lanka lie in an exorcism ritual known as the Kohomba Kankariya, which was originally performed by Indian shamans who came to the island. According to the legend, the Indian shamans came to the island upon the request of a king who was suffering from a mysterious illness. The king was said to be suffering from recurring dream in which a leopard directed its longue towards the king. This was believed as black magic of "Kuweni" the first wife of the king "Vijaya". After the performance of the Kohomba Kankariya the illness vanished, and many natives adopted the dance. It was originally performed by dancers who were identified as a separate caste under the Kandyan Feudal system. They were aligned to the Temple of the Tooth and had a significant role to play in the Dalada Perahera (procession) held each year by the temple. The dance waned in popularity as the support for the dancers from the Kandyan kings ended during the British period. It has now been revived and adapted for the stage, and is Sri Lanka's primary cultural export.
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